A watchable mafia film — stunning!
That once-great style has become a mob torture technique lately: John Travolta in “Gotti,” Tom Hardy in “Capone,” the whole lot of “The Kitchen.”
Made-man distress.
You wouldn’t assume a modest little movie like “The Outfit” would reverse the downward development, however author/director Graham Moore’s film wakes us up like being forcibly thrown into the Hudson at gunpoint.
The primary character, Leonard (Mark Rylance), isn’t even an American — he’s a kindly British swimsuit maker (he finds the phrase “tailor” demeaning) who relocated to Chicago within the Forties underneath mysterious circumstances.
Leonard is meek and attentive; a eager listener who can sense what the right coat is for each distinctive character.
![Mark Rylance plays a mysterious suit maker in](https://nypost.com/wp-content/uploads/sites/2/2022/03/MCDOUTF_UC026.jpg?quality=90&strip=all&w=1024)
But there’s a darkish facet to his crisp navy fits. Leonard’s bespoke store is used for the native mob boss’ (Simon Russell Beale) backroom offers, which he permits as long as he and his front-desk attendant Mabel (Zoey Deutch) are protected.
One evening, the boss’ son Richie (Dylan O’Brien) and capo Francis (Johnny Flynn) storm in. Richie has been shot within the abdomen by a rival gang and Leonard is tasked by Francis with defending a briefcase containing a tape recording of a rat blabbing about their misdeeds.
What unfolds has extra in widespread with a British whodunit than “Goodfellas.” The story isn’t enjoyable, per se, but it surely’s sprightly and engrossing. You are saved guessing as to who the rat might be, and what their motives are. “Clue” with wiseguys.
![Dylan O'Brien (left) and Johnny Flynn play hot-blooded gangsters.](https://nypost.com/wp-content/uploads/sites/2/2022/03/MCDOUTF_UC011.jpg?quality=90&strip=all&w=1024)
Rylance has performed quite a lot of main roles onstage (he’s gained three Tony Awards), however has often been a supporting participant onscreen. So it’s a pleasure to see him seize focus for as soon as. Leonard takes benefit of considered one of Rylance’s best strengths — the flexibility to immediately swap from weak to sturdy. Behind each tiny smile is ferocity.
The supporting forged is all sport, significantly the thuggish Flynn and savvy Deutch. Beale’s Chicago accent is slightly wonky, nevertheless it’s not the “SNL” “Da Bears” sketch, so who cares?
It’s simply such a reduction to see a gangster film I don’t instantly wanna fuggedabout.
The post ‘The Outfit’ review: Finally, a gangster movie that doesn’t suck first appeared on Umorr.