While his fame is undeniably global, Bad Bunny has built his monumental career almost entirely in Spanish. If you’ve ever found yourself wondering whether the “King of Latin Trap” has a catalog of English songs, the answer is a resounding no. Benito Antonio Martínez Ocasio is profoundly committed to performing in his native language, a principle he has held onto even as he’s been named the headliner for the Super Bowl LX Halftime Show in 2026.
This announcement in September 2025 sparked fresh debate among some fans, questioning how a performer with a predominantly Spanish-language repertoire would fit into one of American television’s most-watched events. Yet, Bad Bunny remains unfazed. He once told Vanity Fair, “I’m never going to [sing in English] just because someone says I need to do it to reach a certain audience.” For him, Spanish is not just a language but the medium for his entire creative process: he thinks, feels, and sings in Spanish.
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The Conscious Choice to Create in Spanish
Bad Bunny’s stance on language is not born from an inability to speak English. In interviews, he has clarified that he does understand the language and is actively working on improving his skills, though he finds it challenging to express his deepest thoughts and feelings in anything other than Spanish. His choice is one of artistic integrity and authentic expression. He has explained that if the right song or collaboration came along, he wouldn’t be completely closed off to singing in English, but he has no plans to force it for commercial gain. This philosophy ensures that his music remains a genuine reflection of his identity.
Bad Bunny stuns for Super Bowl LX halftime show announcement. pic.twitter.com/pXvmyzy4o2
— Pop Crave (@PopCrave) September 29, 2025
This commitment is evident in every corner of his record-breaking discography. From his early hit “Soy Peor” to his historic all-Spanish number-one albums like Un Verano Sin Ti and 2025’s Debí Tirar Más Fotos, his artistic language has remained consistent. Even in high-profile collaborations with English-speaking megastars, he sticks to his roots. In the 2018 global smash “I Like It” with Cardi B and J Balvin, which samples Pete Rodriguez’s “I Like It Like That,” Bad Bunny’s verse is delivered almost entirely in Spanish. Similarly, his feature on Drake’s “Mía” is a Spanish-language track. He uses these platforms not to crossover, but to bring his culture and language to the forefront, challenging the music industry’s expectations.
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A Super Bowl Performance That Challenges the Mainstream
The confirmation of Bad Bunny as the 2026 Super Bowl Halftime performer has turned a spotlight on his language choice, creating a cultural moment that extends far beyond music. The news was met with a mix of excitement and predictable criticism, with some social media users questioning the appropriateness of a Spanish-language performance for the event. This reaction highlights the very barrier that Bad Bunny has spent his career breaking down.
His upcoming performance is poised to be a landmark event, following in the footsteps of other Latin artists like Shakira and Jennifer Lopez. However, where their sets were largely in English, Bad Bunny’s show is expected to be a powerful, unapologetic celebration of Spanish-language music on one of the world’s biggest stages.
🚨 Bad Bunny will headline the 2026 Super Bowl halftime show. pic.twitter.com/yG7Vvik5HD
— Pop Base (@PopBase) September 29, 2025
It’s the ultimate embodiment of his “I don’t care” attitude toward those who don’t understand him. He doesn’t need to translate himself to be valid or to command a global audience. His record-breaking streaming numbers—he has been the most-streamed artist globally on Spotify for multiple years—prove that powerful art transcends language barriers. His success demonstrates that listeners connect with emotion, rhythm, and authenticity, not just the words being sung.
So, does Bad Bunny have English songs? The answer remains a definitive no, and that is the entire point. His artistic power comes from his unwavering commitment to being himself. By refusing to sing in English, he has not limited his reach; he has expanded the horizons of global pop culture, proving that you can conquer the world without compromising your identity. When he takes the stage at Super Bowl LX, it will be more than just a concert; it will be a testament to the fact that in today’s musical landscape, you don’t need to meet the mainstream on its traditional terms—you can redefine the mainstream itself.
